The Triple Door Presents

 

Thursday / January 7, 2016

 

7:30pm Show - 6:00pm Doors open and dinner service begins in the Theater {All Ages} 

 

$24 Advance

$27 Day of Show

$35 Front Row Seating

 

Purchase tickets online or by calling our Box Office at 206.838.4333.

 

Suites are also available for private parties and special events. Call our Private Dining department at 206.838.4312 to reserve a private suite for the show.

 

Her voice is unique, unmistakable and timeless – The Los Angeles Times’ Robert Hilburn called her “arguably the most charismatic female performer in rock.” And about the Hollywood Bowl concert just a few months ago, The Hollywood Reporter wrote: Martha Davis, of the Motels, was still strong in voice and admirably delivered hits like “Only The Lonely” and “Suddenly Last Summer.”

 

For Martha Davis, the most important thing has always been the songs she writes. Martha began writing songs at the age of 15. Born and raised in Berkeley, California, she moved to Los Angeles in the early ‘70s, along with the first incarnation of The Motels. The band reformed in 1978 and was immediately signed to Capitol Records in 1979.

 

The Motels recorded six records for Capitol. Their self-titled debut was greeted with positive critical reviews in 1979 and exploded in Australia on the strength of the #2 Pop single, “Total Control” (which was later covered by Tina Turner for the We Are The World album). In 1981 their sophomore effort, “Careful,” went Top 50. Then, in 1982, the Motels released All Four One; the smash single “Only The Lonely” rocketed into the Top 10, immediately propelled the album to gold status and truly broke The Motels in the United States. The group dominated the music scene and was voted Best Performance for “Only The Lonely” at the 1982 American Music Awards.

1983’s Little Robbers album went gold on the Top 10 single “Suddenly Last Summer” and the second Top 40 hit “Remember The Nights.” In 1985, the Shock album yielded the Top 20 hit, “Shame,” and 1987 saw the release of Martha’s first solo effort, Policy. In 1988, Martha took a sabbatical from the music scene, prompting the question, “where have you been?” “Looking for my sense of humor,” she says. “I seemed to have lost it somewhere around 1984. It’s not a business that one should be in without a sense of humor.” Though constantly writing, Martha left center stage to work on various collaborations with artists including Ivan Neville, Arthur Barrow (Frank Zappa), Jeff Daniel, Kiki Dee, Richard Feldman, to write songs for a new musical for the Civic Light Opera, and author a new musical of her own entitled Rebecca.